Becoming X
| Becoming X | ||||
|---|---|---|---|---|
 1996 original release | ||||
| Studio album by | ||||
| Released | 19 August 1996 (UK) 25 February 1997 (US) | |||
| Genre | ||||
| Length | 52:57 | |||
| Label | ||||
| Producer |
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| Sneaker Pimps chronology | ||||
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| Singles from Becoming X | ||||
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| Alternative cover | ||||
 1997 limited edition release | ||||
Becoming X is the debut studio album by English electronic band Sneaker Pimps. It was released on 19 August 1996 in the United Kingdom by Clean Up Records and on 25 February 1997 in the United States by Virgin Records. The album marked the only appearance of Kelli Dayton as lead singer before she was asked to leave the band; Chris Corner replaced her for the band's subsequent albums.
Becoming X was commercially successful in the United Kingdom, while "6 Underground" and "Spin Spin Sugar" would become hits in the United States. Fueled by the success of the former single, the album spent 23 consecutive weeks on the US Billboard 200.[citation needed]
Background and recording
[edit]Becoming X is an electronica and trip hop album, featuring alternative rock and orchestral elements and samples. The title comes from the fourth track on the album and, as explained by vocalist Kelli Dayton, "X meaning whatever you want it to mean. Also like generation X, X as a blank. It's a feeling. So it's really purposefully ambiguous, like the songs are. We've tried letting people use their imagination to make it more personal to them." This concept was later referenced in the name of Chris Corner's solo project IAMX.
The album was written by Corner and Liam Howe, with friend Ian Pickering contributing to the lyrics in what Corner calls "a total collaboration".[1] The album's demos were recorded with Corner on vocals. However, the band felt the songs would work better with a female voice, so the band's manager and co-founder of their label Clean Up Records, Craig Mineard, sent the demos to Dayton, asking her to join the band as vocalist. Dayton liked the demos and agreed to join the band, on the condition of becoming a songwriting partner. As much of the writing for the album was already in place, Dayton went on to co-write the B-sides.
The album was recorded in Howe's bedroom studio in Elwick. The vocals were recorded in a cupboard that Howe made into a vocal booth. Possessing a higher vocal range than Corner, Dayton decided to record the tracks' vocals in a measured and subdued way to give them more emotional intensity.[2]
"How Do", the last song on the album, is a cover of Paul Giovanni's "Willow's Song". It was also covered by Dayton on her album Butterfly in 2009.
Release and promotion
[edit]Various iterations of the record exist with different artwork and track mixes. The first version features a cover with an electronic printed circuit board (PCB) designed by Foxy Design and was released in UK and Europe on 19 August 1996, on vinyl, CD and cassette by Clean Up Records.[3] The album was released in US on 25 February 1997 by Virgin Records featuring the Nellee Hooper remix of "6 Underground" as a bonus track.[4]
Due to the success of the singles "6 Underground" and "Spin Spin Sugar", the album was reissued in 1997 with artwork by Stéphane Sednaoui. The reissue, referred to as the limited edition, features the Nellee Hooper remix of "6 Underground", the radio mix of "Spin Spin Sugar" and the Flight from Nashville mix of "Post-Modern Sleaze".[5] This is the version provided on streaming platforms. The limited edition track listing was used for the 2008, 2016 and 2020 vinyl reissues of the album, although the original 1996 artwork was supplied instead of the limited edition artwork. This caused confusion, but One Little Independent Records insisted it was correct when it indeed was an error.[citation needed]
Five singles were released from the album: "Tesko Suicide", "Roll On" and "6 Underground" in 1996, and "Spin Spin Sugar" and "Post-Modern Sleaze" in 1997. Music videos were made for "Tesko Suicide", directed by Liam Howe and Joe Wilson, "6 Underground" and "Spin Spin Sugar", both directed by Toby Tremlett, and "Post-Modern Sleaze", directed by Howard Greenhalgh. The videos were later released on the 2001 video compilation The Videos on DVD.[6]
The band embarked on a tour of the UK in small venues and worked their way up to a two-year world tour to promote the album, also appearing on music festivals and TV shows. During their tour, they opened for Blur and Neneh Cherry, and played with Tricky and Lamb, establishing themselves as a trip hop band.[2] The band's popularity was cemented when "6 Underground" was included on the soundtrack of the 1997 film The Saint, out on 4 April. They also featured on the Marilyn Manson track "Long Hard Road Out of Hell", released on 22 July 1997 and included in the film Spawn. In October, the band opened for Aphex Twin on his United States tour promoting the Richard D. James Album.[7] The United States tour put a strain on the relationships in the band,[8] leading to Howe prematurely leaving the tour, the tour itself stopping, and the subsequent firing of Dayton, who would not appear on the band's second album Splinter.[2]
On 19 August 2022, the band began "a month of song and video celebrations" on their YouTube channel to mark the 26th anniversary of the release of the album.[9]
Critical reception
[edit]| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |   [10] |
| E! Online | B+[11] |
| Entertainment Weekly | B+[12] |
| Los Angeles Times | [13] |
| Muzik | 3/5[14] |
| NME | 5/10[15] |
| Pitchfork | 6.3/10[16] |
| Q | [17] |
| Rolling Stone | [18] |
| Vox | 7/10[19] |
Becoming X received mostly positive reviews from contemporary critics, who often compared Sneaker Pimps to trip hop artists like Portishead and Tricky.
AllMusic reviewer Stephen Thomas Erlewine praised Becoming X as "one of the most engaging byproducts of post-Portishead trip-hop", while also noting Sneaker Pimps as being more guitar-driven than their predecessors.[10] Jeremy Helligar wrote in Entertainment Weekly that "Sneaker Pimps manage to be ominously spooky on Becoming X without indulging in Tricky's gothic pretension and hypnotic without lapsing into Portishead's one-note gloom."[12] In Rolling Stone, Ken Micallef wrote that whilst not deviating from the female-fronted trip hop band formula, the group manages to "make pop as tension-filled as an Edgar Allan Poe novel".[18] Calvin Bush from Muzik described the album as "spiky indie pop in a Garbage-meets-Portishead fashion", noting that the singles "Tesko Suicide" and "6 Underground" come across "like an indie kid version of Morcheeba with slasher guitars".[14] Pitchfork's Ryan Schreiber likened Sneaker Pimps to "an electrified version of Sade" and praised the album's vocals, beats and guitars, albeit criticizing the songs for seemingly losing "a lot of their appeal once you're familiar with them".[16]
In a more critical review for NME, Dele Fadele commended the band's original sound for blending electronic, orchestral and rock elements but ultimately described the result as boring.[15]
Track listing
[edit]All tracks are written by Chris Corner, Liam Howe and Ian Pickering, except where noted
| No. | Title | Producer | Length |
|---|---|---|---|
| 1. | "Low Place Like Home" | Jim Abbiss, Line of Flight | 4:37 |
| 2. | "Tesko Suicide" | Line of Flight | 3:44 |
| 3. | "6 Underground" | Abbiss, Line of Flight | 4:05 |
| 4. | "Becoming X" | Abbiss, Line of Flight | 4:14 |
| 5. | "Spin Spin Sugar" | Line of Flight | 4:20 |
| 6. | "Post-Modern Sleaze" | Line of Flight | 5:11 |
| 7. | "Waterbaby" | Abbiss, Line of Flight | 4:10 |
| 8. | "Roll On" | Abbiss, Line of Flight | 4:27 |
| 9. | "Wasted Early Sunday Morning" | Flood, Line of Flight | 4:27 |
| 10. | "Walking Zero" | Line of Flight | 4:31 |
| 11. | "How Do" (cover of "Willow's Song" by Paul Giovanni) | Line of Flight | 5:01 |
| Total length: | 48:47 | ||
- "6 Underground (Nellee Hooper Edit)" − 3:48 (US bonus track)
- "No More" – 4:15 (Japan bonus track)
- "Clean" – 5:17 (Japan bonus track)
- "Johnny" 4:14 (Japan bonus track)
- "Precious" 4:18 (Japan bonus track)
All tracks are written by Chris Corner, Liam Howe and Ian Pickering, except where noted
| No. | Title | Producer | Length |
|---|---|---|---|
| 1. | "Low Place Like Home" | Abbiss, Line of Flight | 4:37 |
| 2. | "Tesko Suicide" | Line of Flight | 3:44 |
| 3. | "6 Underground (Nellee Hooper remix)" | Abbiss, Nellee Hooper, Line of Flight | 3:48 |
| 4. | "Becoming X" | Abbiss, Line of Flight | 4:14 |
| 5. | "Spin Spin Sugar (Radio mix)" | Line of Flight, Mark "Spike" Stent | 4:20 |
| 6. | "Post-Modern Sleaze (Flight From Nashville mix)" | Abbiss, Peter Collins, Line of Flight | 3:29 |
| 7. | "Waterbaby" | Abbiss, Line of Flight | 4:10 |
| 8. | "Roll On" | Abbiss, Line of Flight | 4:27 |
| 9. | "Wasted Early Sunday Morning" | Flood, Line of Flight | 4:27 |
| 10. | "Walking Zero" | Line of Flight | 4:31 |
| 11. | "How Do" (cover of "Willow's Song" by Paul Giovanni) | Line of Flight | 5:01 |
| Total length: | 46:02 | ||
- "Walk the Rain" – 4:58 (Japan bonus track)
Samples
[edit] |
- "6 Underground" sampled John Barry's track "Golden Girl" from the film Goldfinger (1964)
- "Becoming X" sampled Sandy Denny's track "Next Time Around" (1971)
- "Spin Spin Sugar" sampled Luciano Berio's "Visage" (1961)
- "Post-Modern Sleaze" sampled the ritual music from the final scenes of the film The Wicker Man (1973)
- "Waterbaby" sampled David Sylvian's track "Let the Happiness In" (1987), "Guru Sri Chinmoy Aphorism" by Carlos Santana and Alice Coltrane (1974) and Jimmy Fontana's track "Il Mondo" (1965)
- "How Do" sampled the Rachel Verney vocal audio from the soundtrack in the 1973 British horror film The Wicker Man
- Live versions of "Spin Spin Sugar" often sampled Kraftwerk's track "Boing Boom Tschak" (1986)
- "Can't Find My Way Home", the B-side to "6 Underground" sampled John Martyn's track "Go Down Easy" (1973)
- The demo version of "Low Place Like Home" sampled David Sylvian's tracks "Before the Bullfight" and "Wave" (1986)
Personnel
[edit]Sneaker Pimps
[edit]- Kelli Dayton − vocals, guitars
- Chris Corner − guitars, keyboards
- Liam Howe − production, keyboards, guitars, drums, samples, percussion, programming
- Joe Wilson − bass, keyboards
- Dave Westlake − drums, programming
- Ian Pickering – lyrics, keyboards
Other personnel
[edit]- Jim Abbiss, C. Goddard, Flood, Oggy AKA Augustus Skinner, Luke Gifford − engineering
- Mark "Spike" Stent, Flood, Jim Abbiss, Line of Flight, Nellee Hooper, Luke Gifford − mixing
- Andy Wright, Marius de Vries − additional programming and keyboards
Charts
[edit]| Chart (1997) | Peak position |
|---|---|
| Australian Albums (ARIA)[20] | 55 |
| UK Albums (OCC)[21] | 27 |
| US Billboard 200[22] | 111 |
Certifications
[edit]| Region | Certification | Certified units/sales |
|---|---|---|
| United Kingdom (BPI)[23] | Gold | 100,000^ |
|
^ Shipments figures based on certification alone. | ||
References
[edit]- ^ MacIntosh, Dan (30 November 2016). "Chris Corner of Sneaker Pimps". songfacts.com. Retrieved 21 August 2022.
- ^ a b c "Kelli Ali Psychic Cat Times – Sneaker Pimps". kelliali.com. Archived from the original on 31 August 2015. Retrieved 8 January 2020.
- ^ Sneaker Pimps – Becoming X (in Italian), 1996, retrieved 21 August 2022
- ^ Sneaker Pimps – Becoming X (in Italian), 25 February 1997, retrieved 21 August 2022
- ^ Sneaker Pimps – Becoming X (in Italian), 9 June 1997, retrieved 21 August 2022
- ^ Sneaker Pimps – The Videos (in Italian), November 2001, retrieved 21 August 2022
- ^ "Sneaker Pimps". Pollstar.com. 6 October 1997. Archived from the original on 12 June 2015.
- ^ "Odd mix from the Pimps". The Guardian. 15 December 2000.
- ^ "Sneaker Pimps on Instagram: "Tomorrow is the 26th 'Becoming X' Anniversary! Follow the SP YouTube channel for a month of song and video celebrations [link in bio] #sneakerpimps #becomingX #liamhowe #kelliali #chriscorner #amp #iamx #triphop #classicalbums #1990s"". Instagram. Retrieved 21 August 2022.
- ^ a b Erlewine, Stephen Thomas. "Becoming X – Sneaker Pimps". AllMusic. Retrieved 14 December 2017.
- ^ "Sneaker Pimps – Becoming X". E! Online. Archived from the original on 4 October 1999. Retrieved 11 July 2024.
- ^ a b Helligar, Jeremy (14 March 1997). "Becoming X". Entertainment Weekly. Archived from the original on 24 February 2016. Retrieved 14 December 2017.
- ^ Romero, D. James (9 March 1997). "Sneaker Pimps, 'Becoming X,' Virgin". Los Angeles Times. Retrieved 11 July 2024.
- ^ a b Bush, Calvin (September 1996). "Sneaker Pimps: Becoming X" (PDF). Muzik. No. 16. p. 109. Archived (PDF) from the original on 3 April 2022. Retrieved 16 July 2022.
- ^ a b Fadele, Dele (17 August 1996). "Sneaker Pimps – Becoming X". NME. Archived from the original on 17 August 2000. Retrieved 14 December 2017.
- ^ a b Schreiber, Ryan. "Sneaker Pimps: Becoming X". Pitchfork. Archived from the original on 19 February 2003. Retrieved 14 December 2017.
- ^ Aston, Martin (October 1996). "Sneaker Pimps: Becoming X". Q. No. 121.
- ^ a b Micallef, Ken (6 March 1997). "Sneaker Pimps: Becoming X". Rolling Stone. No. 755. p. 72. Archived from the original on 6 May 2007. Retrieved 14 December 2017.
- ^ Glen, Allan (September 1996). "Sneaker Pimps: Becoming X". Vox. No. 71. p. 110.
- ^ Ryan, Gavin (2011). Australia's Music Charts 1988–2010 (PDF ed.). Mt Martha, Victoria, Australia: Moonlight Publishing. p. 258.
- ^ "Sneaker Pimps | full Official Chart History". Official Charts Company.
- ^ "Sneaker Pimps Chart History". Billboard. Archived from the original on 29 October 2017. Retrieved 22 October 2019.
- ^ "British album certifications – Sneaker Pimps – Becoming X". British Phonographic Industry. Retrieved 30 May 2019.
External links
[edit]- Becoming X at Discogs (list of releases)
- Becoming X at Sneaker Pimps Legacy
